Our team makes our reputation shine and guarantees we accomplish a lot together. We look forward to seeing and hearing you. Especially the listening part.
Owner & Producer
Since launching Dubway in the mid-80's, Al has built a small recording studio into a full-fledged production facility. He opened the original Dubway in the Music Building at 584 Eighth Avenue. Word quickly spread about the lone engineer in a tiny studio who could conjure up amazing sounds using only one blown speaker and a beat-up four-track. Since those early days, Al has worked on countless projects, built the dazzling new Dubway Studios, and continues to be an active musician in New York's club scene.
Operations Manager, engineer
Nathaniel Reichman is a Grammy-nominated mixer, engineer, and music producer who has worked extensively in television, film, and classical music. His work can be heard on numerous hit children's television shows including Teenage Mutant Ninja Turtles, WordWorld, Bubble Guppies, and Wallykazam!
In film, he has contributed to Alejandro G. Iñárritu’s The Revenant, Godfrey Reggio's Naqoyqatsi, Abel Ferrara's 4:44 Last Day on Earth, and the Showtime documentary Comedy Warriors, among others. He has also worked on major contemporary classical music albums including those of composers John Luther Adams and Philip Glass. He is a graduate of Bennington College, and an alumnus of the art school Fabrica in Italy.
Director, LOCATION AUDIO
Seth has been doing location audio for seventeen years. His first production job was as a boom operator on a small indie film back in 1997, and since then he has spent a total of two weeks NOT in the audio department, while directing an episode of ABC’s Wife Swap. In that time, he has run the gamut from full-length feature films to 30-second commercials: from reality docu-dramas with a cast of two dozen to intimate one-on-one documentaries. Whether flying solo, heading the audio department, or just being part of the team, he has learned how to run the smoothest and most efficient audio department possible within the parameters of each individual production. He is very excited to be affiliated with Dubway.
Some production highlights: Rodger Dodger, Dummy, Kissing Jessica Stein, The Hebrew Hammer, America's Next Top Model, Project Runway, Survivor, Wife Swap, The City, and The First 48 among others. Recent credits include A Crime to Remember (Investigation Discovery), Motel Hell (MTV), Wicked Single (VH1), Inside the KKK (Discovery), The United Stats of America (History), and Hard Parts (Velocity).
Dubway's Engineers & Creatives
Audio Post Engineer, Producer
John has over 30 years of experience working with sound – initially theatrical sound design while earning a BA in Music Production and Engineering from Berklee College of Music, then editing and mixing for film and television at Sync Sound in NYC, and cartoon work for MTV (Beavis & Butt-head, Daria, Celebrity Deathmatch), 4Kids (TMNT and Viva Piñata), and Scholastic (Clifford’s Puppy Days).
Other work has included documentaries (American Standoff, Harry Belafonte – Sing Your Song!, and ABC’s The Century), realty TV (Departure’s Filp This House) and TLC’s What Not to Wear), and animated features (sound design & mix of 3 Bahadur for Oscar-winning Pakistani director, Sharmeen Obaid-Chinoy).
John has been editing music for The Metropolitan Opera since 1992, and supervising ADR, most recently for F/X (The Americans).
Music Editor, Sound Designer, Engineer
Originally from Cincinnati, OH, Keith found his way to New York City in 2003 and started out at Dubway as an intern. After cutting his teeth on Nick, Jr.'s children's television show The Backyardigans, and the Emmy-winning Bubble Guppies, Keith has overseen audio production for Nick's Wallykazam!, and currently fine tunes VO records for Butterbean’s Cafe and a new season of Bubble Guppies.
Also a composer and a sound designer with clients that include Audi, Volkswagen, and Nokia, his indy cred is rooted in his burgeoning reputation as a sonic colorist in the Brooklyn band scene.
Keith graduated from the S.I. Newhouse School of Public Communications at Syracuse University, with a Major in Television/Radio/Film and a dual-minor in Music Industry and Psychology.
Engineer, Sound Designer
Sam has bounced through a few incarnations in his career, from record label A&R, to live sound technician, to composer and sound designer. Producing and songwriting along the way, he came to Dubway after a stint at the music house of Elias Arts, and is now responsible for all variety of large and small ensemble recordings.
Sam graduated from Drexel University’s Music Industry Program. He finds himself especially busy composing and designing sound for Dubway’s growing mobile gaming clientele.
ENGINEER, COMPOSER, Location Audio
Obsessed with organizing noise for as long as he could remember, Zac took this love of music and sound all the way through Berklee College of Music and turned it into a career as an audio engineer and composer. Fully capable of engineering everything from abrasive and feedback-heavy punk to side-splittingly funny podcasts, he is also a highly competent location sound mixer. His portfolio includes projects for NPR, GQ, Simon & Schuster, Investigation Discovery, and UK's Channel 4.
When not at Dubway, Zac eats whatever looks appetizing, talks in absurd voices, and makes avant-garde music under the name vilefilth.
Dogged by a passion to become an audio engineer, Louis left his hometown in New Jersey to attend Full Sail University’s Recording Arts program. Finding Dubway almost immediately upon graduation, he began as an intern, but soon found himself engineering. He has sound designed for Rhumba’s new children's podcasts Remy’s Place and Season Isle and has spent countless hours recording VO for clients such as Nickelodeon and WNYC. Louis also works on short films from front to back, production shoots to the re-recording mix. When he's not working in audio, you can find Louis on a snowboard in the Poconos.
Engineer, Producer, Composer
He switched gears - from managing a biotech firm to engineering and music production. Upon his move from San Diego (University of California, Santa Cruz), Russell's jazz guitaring and bedroom recording stood him good stead as he came to record a wide a array of rock, punk, and funk/soul bands.
Over several years at Dubway, he's had the pleasure of working with Norah Jones, Willy Collins, Rob Friedman, Brad Jones, Bill Popp and other great musicians and producers alike. A songwriter himself, he has also produced a number of acts, including his own band, Cosmonaut Radio.
Merter started his career as a bass player in his hometown of Istanbul as a young teenager. He worked in post-production audio for four years before moving to New York in 2008, and joined the Dubway Team shortly after earning a master’s degree from NYU in 2012.
Since then, Merter has tracked, mixed and sound designed for commercials, documentaries, short movies, TV series, and music productions. He’s particularly intimate with various format reel-to-reel tape machines, and other analog and digital audio sources, solidifying his extensive experience with digitization, archiving and audio restoration.
Besides his studio work, he is active in the New York Music scene as a musician and live sound engineer at various venues.
Chris has logged hundreds of hours at Dubway with such clients as Nickelodeon, THQ, and Sony. As an engineer equally comfortable in spoken and sung voice recording, Chris is known for his tireless attention to detail and his pitch-correction prowess.
Chris abandoned his quiet town in Minnesota and moved to New York in 2007. He earned a master's degree from NYU in 2009 and in the same year joined the team at Dubway. Given his exacting approach to recording and mixing music, he finds his passion in bringing structure and balance to great ideas, and so finds himself an valued companion for producers and artists alike. Chris is a multi-instrumentalist and lifelong student of music, and his unique point-of-view has earned him a solid base at Dubway.
Engineer, Composer, MArketing Manager
Keenan DuBois is a recording, mix, and post-production engineer and has been a member of the Dubway team since 2017. After graduating from Oberlin College & Conservatory’s contemporary TIMARA program and moving to New York, he started at Dubway as an intern and quickly expanded into his current role as a staff engineer. Keenan’s intuitively musical ear, classical training, willingness to experiment, and hands-on gear experience all contribute to his engineering sensibilities, and have led him to work with all types of artists, producers, and companies, including Herbie Hancock, Steven Hartke, Alex Gibney, Billy Goldenberg, Susan Charlotte, James Dargan, Fast Company, Pandora, Netflix, Hulu, Vox Media, and a host of bands across a variety of genres (namely jazz, improvised/contemporary, classical, indie rock, and experimental). Since April 2019, Keenan has also been responsible for Dubway’s marketing and press as the Marketing Manager for the studios.
Outside Dubway, Keenan is a skilled live sound engineer, and works as both an A1 and A2 for venues/organizations including BRIC Arts Media, Shapeshifter Labs, and the Knockdown Center. Keenan is also a trained composer, and has had his music featured at The Banff Centre as a Banff Artist-In-Residence, as a finalist at the National Student Electronic Music Event (NSEME), and in a solo installation at the Weltzheimer/Johnson House, a Frank Lloyd Wright designed home managed by the Allen Memorial Art Museum. While not recording, mixing, or editing at Dubway, you can find him at a strange concert, tinkering on homemade electronics, collaborating on projects with friends, or trying out a new recipe at home.
Born in California, raised in Massachusetts, Pascal has found a true home in NYC at Dubway Studios. A graduate of the Sound Recording Technology program at University of Massachusetts Lowell, he aims to cover all of the audio bases. From engineering a wide variety of sessions at Dubway to cranking out beats in his bedroom, Pascal is your go-to guy. Particularly, he has lots of podcast, VO, and ADR sessions under his belt, including an upcoming Dan Krauss film. Aside from engineering, Pascal enjoys playing disc golf, experiencing late nights out in Brooklyn and playing with his cat named Peacebone.
Violette graduated from the Savannah College of Art and Design in the spring of 2017, with a degree in Sound Design. After spending some time in her native city of Chicago, Violette picked up an internship here at Dubway, and moved to New York City.
The beginning of Violette’s audio career has been colorful. She has freelanced as a sound mixer, dialogue editor, Foley artist, re-record mixer, composer, and so on. When Violette’s not busy representing Dubway, she can be found designing sound for a film, or making music for a variety of different projects, including her own band, Grimsel.
From small home recordings to orchestral ensembles, Diego has worked in a broad variety of settings. After graduating from his Master’s at Berklee College of Music he moved to New York, where he joined the Dubway team. As an engineer he’s had the pleasure of working with artists such as Joshua Charles Harris, Nath Bravo, Casper Jones, Dave Soldier, Luis Bernal and Kendall Thomas to name a few.
Aside form recording and mixing music, he works as a sound designer for video games taking part in projects such as “The Greatest Wizard Tournament” and “Silent Knight”.
Become Part of the Dubway Crew
If you would like to apply for an internship at Dubway, please read all information provided HERE.